[C795.Ebook] Get Free Ebook The Cosmic Perspective: The Solar System (8th Edition) (Bennett Science & Math Titles), by Jeffrey O. Bennett, Megan O. Donahue, Nicholas

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For two-semester courses in astronomy.

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Teaching the Process of Science through Astronomy

Building on a long tradition of effective pedagogy and comprehensive coverage, The Cosmic Perspective: The Solar System, Eighth Edition provides a thoroughly engaging and up-to-date introduction to astronomy for non-science majors. This text offers a wealth of features that enhance student understanding of the process of science and actively engage students in the learning process for key concepts. The fully updated Eighth Edition includes the latest scientific discoveries, revises several subjects based on our most current understanding of the cosmos, and now emphasizes deeper understanding of the twists and turns of the process of science and the relevance of concepts to student’s lives.

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The text is supported by a robust package of instructor and student ancillaries, including MasteringAstronomy. This market-leading online tutorial and homework system has been updated with new content that helps students learn and review more effectively outside of class.

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• The Cosmic Perspective: The Solar System, Eighth Edition includes Chapters 1–13, 14, S1, 24.

�Also available with MasteringAstronomy

MasteringAstronomy from Pearson is the leading online homework, tutorial, and assessment system, designed to improve results by engaging students before, during, and after class with powerful content. Instructors ensure students arrive ready to learn by assigning educationally effective content before class, and encourage critical thinking and retention with in-class resources. Students can further master concepts after class through homework assignments that provide interactivity, hints and answer-specific feedback. The Mastering gradebook records scores for all automatically graded assignments in one place, while diagnostic tools give instructors access to rich data to assess student understanding and misconceptions.

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Mastering brings learning full circle by continuously adapting to each student and making learning more personal than ever—before, during, and after class.

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Note: You are purchasing a standalone product; MasteringAstronomy does not come packaged with this content. Students, if interested in purchasing this title with MasteringAstronomy, ask your instructor for the correct package ISBN and Course ID. Instructors, contact your Pearson representative for more information.

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• Sales Rank: #347965 in Books
• Published on: 2016-01-17
• Original language: English
• Number of items: 1
• Dimensions: 10.70" h x 1.00" w x 8.40" l, .0 pounds
• Binding: Paperback
• 544 pages

About the Author

Jeffrey Bennett, a recipient of the American Institute of Physics Science Communication Award, holds a B.A. in biophysics (UC San Diego) and an M.S. and Ph.D. in astrophysics (University of Colorado). He specializes in science and math education and has taught at every level from preschool through graduate school. Career highlights including serving 2 years as a visiting senior scientist at NASA headquarters, where he developed programs to build stronger links between research and education, and proposing and helping to develop the Voyage scale model solar system on the National Mall (Washington, DC). He is the lead author of textbooks in astronomy, astrobiology, mathematics, and statistics, and of critically acclaimed books for the public including Beyond UFOs (Princeton University Press, 2008/2011), Math for Life (Big Kid Science, 2014), What Is Relativity? (Columbia University Press, 2014), and On Teaching Science (Big Kid Science, 2014). In 2014, his five children’s books (Max Goes to the Space Station, Max Goes to the Moon, Max Goes to Mars, Max Goes to Jupiter, and The Wizard Who Saved the World) became the first books launched to the International Space Station for the Story Time From Space program. He and his family live in Boulder, Colorado. His personal website is www.jeffreybennett.com.

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Megan Donahue is a professor in the Department of Physics and Astronomy at Michigan State University and a Fellow of the American Association for the Advancement of Science. Her current research is mainly about using X-ray, UV, infrared, and visible light to study clusters of galaxies: their contents–dark matter, hot gas, galaxies, active galactic nuclei–and what they reveal about the contents of the universe and how galaxies form and evolve. She grew up on a farm in Nebraska and received an S.B. in physics from MIT, where she began her research career as an X-ray astronomer. She has a Ph.D. in astrophysics from the University of Colorado. Her Ph.D. thesis on theory and optical observations of intergalactic and intracluster gas won the 1993 Trumpler Award from the Astronomical Society for the Pacific for an outstanding astrophysics doctoral dissertation in North America. She continued postdoctoral research as a Carnegie Fellow at Carnegie Observatories in Pasadena, California, and later as an STScI Fellow at Space Telescope. Megan was a staff astronomer at the Space Telescope Science Institute until 2003, when she joined the MSU faculty. Megan is married to Mark Voit, and they collaborate on many projects, including this textbook and the raising of their children, Michaela, Sebastian, and Angela. Between the births of Sebastian and Angela, Megan qualified for and ran the Boston Marathon. These days, Megan runs trails, orienteers, and plays piano and bass guitar whenever her children allow it.

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Nicholas Schneider is an associate professor in the Department of Astrophysical and Planetary Sciences at the University of Colorado and a researcher in the Laboratory for Atmospheric and Space Physics. He received his B.A. in physics and astronomy from Dartmouth College in 1979 and his Ph.D. in planetary science from the University of Arizona in 1988. In 1991, he received the National Science Foundation’s Presidential Young Investigator Award. His research interests include planetary atmospheres and planetary astronomy. One research focus is the odd case of Jupiter’s moon Io. Another is the mystery of Mars’s lost atmosphere, which he hopes to answer by serving as science lead on the Imaging UV Spectrograph on NASA’s MAVEN mission. Nick enjoys teaching at all levels and is active in efforts to improve undergraduate astronomy education. In 2010, he received the Boulder Faculty Assembly’s Teaching Excellence Award. Off the job, Nick enjoys exploring the outdoors with his family and figuring out how things work.

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Mark Voit is a professor in the Department of Physics and Astronomy and Associate Dean for Undergraduate Studies in the College of Natural Science at Michigan State University. He earned his A.B. in astrophysical sciences at Princeton University and his Ph.D. in astrophysics at the University of Colorado in 1990. He continued his studies at the California Institute of Technology, where he was a research fellow in theoretical astrophysics, and then moved on to Johns Hopkins University as a Hubble Fellow. Before going to Michigan State, Mark worked in the Office of Public Outreach at the Space Telescope, where he developed museum exhibitions about the Hubble Space Telescope and helped design NASA’s award-winning HubbleSite. His research interests range from interstellar processes in our own galaxy to the clustering of galaxies in the early universe, and he is a Fellow of the American Association for the Advancement of Science. He is married to coauthor Megan Donahue, and cooks terrific meals for her and their three children. Mark likes getting outdoors whenever possible and particularly enjoys running, mountain biking, canoeing, orienteering, and adventure racing. He is also author of the popular book Hubble Space Telescope: New Views of the Universe.

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Most helpful customer reviews

32 of 36 people found the following review helpful.
Not very clear on what you get with the book.
By Lokana
I purchased this book as it was required for my class. I also required the access code to the Mastering Astronomy website. As best I can tell, this access code only comes comes with it when you order the format "Paperback, January 6, 2011". I had assumed that if buying new, all of them would come with the code and I wasn't clear on what the difference is. The only way I figured out that the higher priced one comes with the access code is that it shows up in the title after you select that format. I didn't find this out until realizing the format I ordered didn't come with it and looked at the different formats to find out why. The formats really should have been labeled more clearly, like "Paperback, with access codes" rather than an unclear "Paperback, January 6, 2011". Honestly I'm not even sure what that is supposed to mean.

12 of 12 people found the following review helpful.
This book is likely to become the standard by
By John Public
which all non-science astronomy books will be measured. It has everything in it, and it's all explained in a straightforward way. Lots of color photos, pictures, and diagrams. There is a lot of material here. you don't HAVE to read it all, but you will probably want to. It's infectious. Several other amateur astronomers I work with have independently come to the same conclusion. We recommend this book first to all our students who show a strong desire to learn the subject.

You might not need the latest version. All it does is give you updates on what has happened in the field over the last few years, which you can find on the internet. You have a choice. You can get the latest version for $80 or a version a few years older that is 98% the same for $5.

16 of 18 people found the following review helpful.
The Most Exceptional Textbook This Side of the Galaxy!
By Arthur Blenheim
I love this book! I don't even read text books very often, but this one is one of the most fun text books I've ever read--the fourth edition of "The Essential Cosmic Perspective." Perhaps I say this because I like Astronomy. I've never taken the course before, so this is really the only college text book in this subject I've looked at. Still, everything in here is interesting.

It has been updated with the most recent expansions with two notable points. It contains the most recent alterations of language by the International Astronomical Union (IAU). Did you know that Pluto isn't a planet? It's actually a comet! In August of 2006, the IAU changed the definition of planet to account for the differences of the planet Pluto, an object whose composition recently discovered is essentially the same as a comet from the belt of comets just outside of the Solar system: called "the Kuiper belt (pronounced like "viper," but with a K. In 2006, the IAU changed the designation of Pluto to a new category of Solar body: the dwarf planet.

Dwarf planets are not planets, as the definition of a planet now has a finer meaning, changed by the IAU. Planet designations are based on composition and size: the inner four planets--Mercury, Venus, Earth, and Mars--are referred to as "terrestrial planets," because their compositions are made up mostly of metal and rock, they're all about the same size, and they have two moons or less. Asteroids also have the composition of rock and metal, and so the belt of asteroids lying just outside of Mars gives an interesting connotation about our system which I will explain soon. Then, the four outer planets--Jupiter, Saturn, Uranus, and Neptune--are called "Jovian planets," meaning "Jupiter-like," because their compositions are mostly gaseous, and because of their sizes: "gas giants." These Jovian, gas giants are several times the mass and diameter of the terrestrial planets, and so their sizes make them considerable to the system. What sets these solar bodies apart the most is THE WAY THEY WERE FORMED which accounts for their composition differences, and therefore the asteroid belt is the boundary line between the inner-terrestrial and outer-Jovian planets of the Solar system.

Every Solar body with an orbit on a somewhat-similar elliptical plane and beyond Neptune is a comet of the Kuiper belt. Although Uranus and Neptune also have essentially a similar gaseous composition as comets like Pluto, the main difference is Pluto has a radius of about 1000 kilometers. Anything that small is considered to be a comet, and, because the comets of the Kuiper belt are usually very small, Pluto resembles them more than a planet, as it is much smaller than even Earth's Moon. Pluto's mass is about 18 percent that of the Moon.

Remember the tenth planet, "Planet X?" Planet X, the tenth planet, was known as "Planet X" because scientists thought that, because it was so small and had the composition of a comet, that these were fundamental differences between comets and planets of the solar system. They felt that, if every newly-discovered comet of the Kuiper belt orbiting the Sun could be called a planet because it revolved around the Sun, our new computerized telescopes would be discovering planets quite frequently; comets, no matter how small they are, would be called "planets," by old definitions. That's why these new definitions are in place now. Pluto has enjoyed the stature of a planet for about 75 years since its discovery, but now that designation is over.

Additionally, the Jovian worlds are known for their multiple moons. Pluto has a moon, but, because its center-of-gravity lies outside of its moon Charon, both Pluto and Charon should actually be referred to as "binary planets," or more correctly "binary dwarf planets" by IAU's new definition--or rather a "binary system of dwarf planets." A planet and a dwarf planet are separate categories of solar bodies and not the same.

Incidentally, speaking of the Moon, the Moon is thought to have been a planet that, at one time, moved around the Sun. Scientists think this because of the size which is roughly the same as Mercury, a terrestrial composition, and it has a similarly substantial amount of gravity. It theoretically took an orbit around the Earth after they collided based on the attractions of their gravity, after which the Moon started orbiting around the Earth. The Moon is also similar to Mercury in that neither of these bodies maintain any atmosphere.

If you hate Al Gore, well--guess what--the same charts used in Al Gore's film "An Inconvenient Truth" are in this book: a major subsection of one of the chapters. This may be a point of either hostility or remorse for those Americans who were comforted by the anti-Gore beliefs of "the Flat World Society": apparently, some scientists think Al Gore actually has facts within his determinations. This book also states the reasons for these conclusions and relates them to a runaway greenhouse effect. If anyone needs an explanation of why people should be concerned, this is as pedestrian as it comes.

Although Venus is thought to be Earth's sister planet, there is nothing there to comfort any human. It has clouds of battery acid! Until 2006, no one could even see through its thick atmosphere due to an extreme greenhouse effect, and in the past only a form of radio technology could view the planet only slightly. In 2006, the European Space Agency (ESA) landed an unmanned spacecraft there to take pictures and send back data about the surface. The "Venus Express" lander, a specially-made craft designed to withstand Venus' harsh atmosphere, lasted for only about an hour on the surface, then corroded into uselessness and dissolved from the extremities of the atmosphere there. You see, there is no water or oxygen on Venus: the extreme greenhouse effect would've caused its oceans to evaporate into space. The atmosphere on Venus is so thick, the pressure at its surface translates to the pressure of one mile beneath the surface of one of Earth's oceans. This book refers to Venus' surface as resembling "a traditional view of hell" (144).

More importantly, although Mercury orbits the Sun at half the distance as Venus, Mercury's surface temperatures are substantially lower than Venus'. This sounds counter intuitive, and it is. But, the reason for it is the extreme greenhouse effect on Venus. And so, although Venus is twice as far from the Sun, it is MUCH hotter there than on Mercury! While Mercury's temperature goes back-and-forth between 700 kelvins (K) in the day and 100 K at night, Venus has a constant average temperature of 740 K (880-degrees Fahrenheit) all the time!

All this information is located within this book. The writing all seems very well put. The glossary has all the terms located in the chapter questions sections, so students should have an easy time finding anything. The chapter information, as it is introduced, is labeled nicely in easy-to-read bold upon its introduction, so eyes can quickly move right to the place where to find that information. The index is large and covers anything I would want to know. It has beautiful photos, images, and tables, in color of course. Many of these shots are brand-new images from off-earth, satellite telescopes and unmanned space vehicles. Of course, I have some doubt about the context of a few of the pictures, but there's surely nothing missing that NASA or other space agencies have allowed to be released: the book is up-to-date.

The book comes with interactive things like on-line supplements and a CD-Rom. The CD-Rom contains a program allowing a student to view any known place from any other known place through a telescope: one can look at Earth from the Moon for instance, and receive technical information about it. You can copy the CD-Rom onto another blank CD or put it on a hard drive for free. The book's included on-line supplemental course features are interactive and reiterate the book's material.

I have not opened the envelope containing the on-line password for fear of reducing the sell-back cost at my college--once a student has opened the envelope containing the on-line pass code key, the envelope cannot be sold back, can only be used once. I regret not having used it, because the Pearson, Addison-Wesley website was extremely helpful in one other course in which I used its on-line supplements. I can only imagine how beautiful the on-line astronomical images are. I would steal the images and put them on my computer desktop, or make a screen saver with them. Maybe I'll open it now, anyway, even though I'm nearly through the course.

If you purchase this text book here at Amazon, make sure you also receive the envelope, because it is worth around thirty or forty dollars. Students can buy the code at the web site without the envelope, but know that the envelope is part of the text book and should come with it unless the seller provides product information stating otherwise. I once had someone sell me a text for college algebra on Amazon with a price about thirty dollars less than Amazon's price. When I received the algebra text, it didn't have the envelope with it! The text was also used-but-wrapped-in-plastic, even though that product description stated the book was new! It may have come to me in plastic, but it wasn't new! Because the envelope containing the on-line code was missing, I peered closely at the book itself and confirmed that the book was USED, because of dirty palm prints on the book. I called the seller and sent it back at the seller's cost with the included mail-return sticker. I don't like people selling me something under false pretenses! Make sure the envelope is in the wrapper; otherwise, you're giving away thirty or forty bucks. Make sure also that the CD-Rom is in there, too.

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The Cosmic Perspective: The Solar System (8th Edition) (Bennett Science & Math Titles), by Jeffrey O. Bennett, Megan O. Donahue, Nicholas PDF
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The Cosmic Perspective: The Solar System (8th Edition) (Bennett Science & Math Titles), by Jeffrey O. Bennett, Megan O. Donahue, Nicholas PDF

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[P714.Ebook] PDF Ebook Essential Calculus: Early Transcendentals, by James Stewart

PDF Ebook Essential Calculus: Early Transcendentals, by James Stewart

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Essential Calculus: Early Transcendentals, by James Stewart

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This book is for instructors who think that most calculus textbooks are too long. In writing the book, James Stewart asked himself: What is essential for a three-semester calculus course for scientists and engineers? ESSENTIAL CALCULUS: EARLY TRANSCENDENTALS, Second Edition, offers a concise approach to teaching calculus that focuses on major concepts, and supports those concepts with precise definitions, patient explanations, and carefully graded problems. The book is only 900 pages--two-thirds the size of Stewart's other calculus texts, and yet it contains almost all of the same topics. The author achieved this relative brevity primarily by condensing the exposition and by putting some of the features on the book's website, www.StewartCalculus.com. Despite the more compact size, the book has a modern flavor, covering technology and incorporating material to promote conceptual understanding, though not as prominently as in Stewart's other books. ESSENTIAL CALCULUS: EARLY TRANSCENDENTALS features the same attention to detail, eye for innovation, and meticulous accuracy that have made Stewart's textbooks the best-selling calculus texts in the world.

• Sales Rank: #7767 in Books
• Brand: Brand: Cengage Learning
• Published on: 2012-01-25
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 8.00" w x 1.25" l, 3.75 pounds
• Binding: Hardcover
• 960 pages

Features

• Used Book in Good Condition

About the Author
The late James Stewart received his M.S. from Stanford University and his Ph.D. from the University of Toronto. He did research at the University of London and was influenced by the famous mathematician George Polya at Stanford University. Stewart was most recently Professor of Mathematics at McMaster University, and his research field was harmonic analysis. Stewart was the author of a best-selling calculus textbook series published by Cengage Learning, including CALCULUS, CALCULUS: EARLY TRANSCENDENTALS, and CALCULUS: CONCEPTS AND CONTEXTS, as well as a series of precalculus texts.

Most helpful customer reviews

47 of 50 people found the following review helpful.
Shame
By Owens
Most content in this is word for word the same as the first edition, which I already had to buy for Calculus I. Why should a student have to pay 300 dollars for copies of an almost identical book? Text book business models are ridiculous and shameful.

54 of 59 people found the following review helpful.
No Changes!
By coolsonh
The only thing that is different with this edition is that the problem numbers have changed! Making it incompatible for homework! In any other industry, this would not be tolerated at all! Why does the textbook industry get to resell the same books for full price?!

22 of 24 people found the following review helpful.
Pretty Decent.
By Patrick
If you'll notice above, the description states it is a book meant to be as concise as possible, which I believe the author definitely achieved. However, this drive to be as small as possible without lacking 'essential' topics is cheating to the beginning calculus student. Concepts should be thoroughly explained and end of chapter questions should match or slightly exceed the level of difficulty of the explained concepts in the chapter - not heavily exceed it, this is where I took off a star. I understand that the goal of end of chapter questions is to challenge the student, but the lack of thorough explanations in an effort to be as concise as possible does not prepare the student for these questions, in my opinion. Therefore, I had to seek out other materials.

In the end, I found this book to laid out very well and amazingly, for a math book, somewhat easy to read. I supplemented this book with the Idiots Guide to Calculus, which was a life saver on certain topics and went even further with Stewart's Solution Manual for this book. The purchasing of these two additional books, I hope, may be an indicator of the lack of thoroughness for achieving as small a book as possible.

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[B613.Ebook] Ebook The Cosmos: Astronomy in the New Millennium, by Jay M. Pasachoff, Alex Filippenko

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An exciting introduction to astronomy, the fourth edition of this book uses recent discoveries and stunning photography to inspire non-science majors about the universe and science. Written by two highly experienced and engaging instructors, each chapter has been fully updated, with more than 200 new images throughout, including recent images from space missions and the world's best observatories. Redesigned, streamlined pages highlight the breathtaking imagery. The text is organized as a series of stories, each presenting the history of the field, the observations made and how they fit within the process of science, our current understanding, and what future observations are planned. Math is provided in boxes and easily read around, making the book suitable for courses taking either mathematical or qualitative approaches. New discussion questions encourage students to think widely about astronomy and the role science plays in our everyday lives and podcasts for each chapter aid studying and comprehension.

• Sales Rank: #94168 in Books
• Brand: Brand: Cambridge University Press
• Published on: 2013-08-12
• Original language: English
• Number of items: 1
• Dimensions: 11.93" h x .98" w x 8.98" l, 4.25 pounds
• Binding: Paperback
• 620 pages

Features

• Used Book in Good Condition

Review
''An excellent introduction to the subject, both comprehensive and up-to-date. The authors convey a clear and enthusiastic pedagogic presentation of an exciting field. As a textbook, it will be of great benefit to students, providing a valuable starting point to learn about the subject. Its presentation and style will hold the reader's attention, at the level appropriate for an introductory course. It is my preferred text of this type, as it stands out for its continued excellence over time.''
Dr. Roger Kadala, Hawaii Pacific University

"...the work of two great astronomers and top teachers... clear and concise. This is the text I would use for my introductory astronomy course"
Professor Arun Venkatachar, Ohio University

"This is an extraordinarily attractive, captivating, and easy to follow textbook of modern astronomy. I will happily continue to use it in teaching my course.''
Professor Alex Wolszczan, Penn State University

"... this is a great book as a scientific yet accessible introduction to astronomy, and likewise as a collection of interesting and beautiful figures and images which are interesting and fun to look at, even without much reading. The paper and the print are of very high quality ... It can be recommended to a broad readership with a general interest in astronomy, also as an accompanying book for related undergraduate courses."
Manuel Vogel, Contemporary Physics

About the Author
Jay Pasachoff is Professor of Astronomy at Williams College.

Alex Filippenko is Professor of Astronomy at the University of California, Berkeley.

Most helpful customer reviews

15 of 15 people found the following review helpful.
An Intro Text Worthy of the Golden Age of Astronomy
By Chris
It's difficult to condense so much information into just six-hundred pages. It's even more difficult to make such a text accessible, but Pasachoff and Filippenko have done just that.

A grand mix of science and history, augmented by easy-to-understand diagrams and self-study sections, this is a remarkably complete survey of the great and most pertinent developments in modern astronomy. It's an even better guide for especially curious students, as the text provides great direction for further reading.

The first sections on the nature of science and pseudo-science should be required reading for everyone.

Absolutely recommended for students and citizen-scientists alike.

1 of 1 people found the following review helpful.
Buy it
By P. Marino
Great testbook... even the older editions are nice, but having a newer edition has different content. In some cases I liked the presentation in an older edition better (black and white vs too much color). Sometimes simple is best, as in some of the older black and white illustrations. Nevertheless, the pictures are great and the newer material is essential.

25 of 27 people found the following review helpful.
Absolutely Wonderful Astronomy Work
By Thomas C. Stifler
I bought this Book to use in conjunction with Professor Alex Filippenko's Great Courses "Understanding the Universe, An Introduction to Astronomy", It is a great teaching and reference work. I highly recommend it, as well as the lecture series for anyone interested in Astronomy!
"Understanding the Universe" consists of 96 lectures on 16 CD's. Probably the best course I have ever taken.
The book is co-authored by Prof. Filippenko, who is a wonderful lecturer and teacher!
Tom Stifler

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[V539.Ebook] Download Ebook The Incredible Guitar Songbook, by Hal Leonard Corp.

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(Guitar Book). A complete resource for every guitar player! Features a whopping 111 songs in genres from blues to jazz to pop and rock to classical and country, and a variety of notation styles, including: note-for-note transcriptions in notes and tab (Badge * Smooth * Tears in Heaven * Walk This Way * Wonderwall); easy guitar with notes and tab (All Shook Up * Besame Mucho * Blue * Building a Mystery * Crying * Iris * Let It Be * Pride and Joy * Push); easy guitar, no tab (All Blues * All of You * American Woman * Michelle * Old Devil Moon * Route 66 * Surrender * White Room); chord melody guitar (My One and Only Love * My Romance * Satin Doll); classical guitar (Adelita * Bouree * Pavane); fingerstyle guitar (Frosty the Snow Man * I Just Called to Say I Love You * Something); and guitar riffs (Beast of Burden * Dream On * Free Ride * Gloria * Hey Joe * Killing Floor * Lady Madonna * You Shook Me). Includes strum and pick patterns and a guitar notation legend.

• Sales Rank: #430955 in Books
• Brand: Hal Leonard
• Model: 699245
• Published on: 2000-09-01
• Released on: 2000-09-01
• Original language: English
• Number of items: 1
• Dimensions: 12.00" h x .58" w x 9.00" l, 1.75 pounds
• Binding: Paperback
• 240 pages

Features

• Used Book in Good Condition

About the Author
Founded in 1947, Hal Leonard Corporation has become the worlds largest print music publisher, representing some of the greatest songwriters and artists of all time. We are proud to publish titles of interest to all musicians as well as music lovers, from songbooks and instructional titles to artist biographies and instrument price guides to books about the music industry and all the performing arts.

Most helpful customer reviews

7 of 9 people found the following review helpful.
Extremely Comprehensive collection
By aky13
If you are willing to pay a few more bucks, you will get this book that is loaded with GREAT music.

I am not a professional musician and I do not have the discipline to practice regularly. I am lucky if I play 10 minutes a day. This book is PERFECT for someone like me.

The music is divided into categories, so there is something for every musical taste and ability. There are "recorded" versions of 8 songs including "Day Tripper" and "Tears in Heaven." Easy Guitar (my speed) including such greats as "Dust in the Wind," "A Whiter Shade of Pale" and "Mambo #5." A few classical pieces and finger picking stuff. For the rocker, there are a number of songs with riffs!

3 of 4 people found the following review helpful.
Gig-Worthy
By A Customer
The songs in this book are somewhat old; but for a single guitarist
you could probably get a few gigs from it. If you learned everything
in it and really knew how to gig you could make some money so four stars and the songs are popular.

0 of 0 people found the following review helpful.
Fun book!
By patwbv
Love this book. I am just getting back into playing guitar after a couple of decades away from it. This book is very helpful and a lot of fun songs!

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[O637.Ebook] PDF Download An Introduction to Music Therapy: Theory and Practice, 3rd Edition, by William B. Davis, Kate E. Gfeller, Michael H. Thaut

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Written by William B. Davis, Kate E. Gfeller, Michael H. Thaut, an Introduction to Music Therapy: Theory and Practice, third edition, provides a comprehensive overview of the practice of music therapy for the 21st century. It looks at where we have been, where we are today, and where we might be in the future. Combining sound pedagogy with recent research findings, this new edition has been updated and expanded to reflect changes in music therapy practice over the past nine years. Part I includes definitions of music therapy, indicates typical clinical settings, traces historical developments within the profession, and describes how humans respond to musical stimuli. Part II is devoted to specific clinical populations most frequently served by music therapists, and therapeutic approaches suitable for different clientele. Part III, professional issues in music therapy, gives the reader information about the music therapy treatment process, professional ethics, and research methodology commonly employed by music therapists. Although written primarily as an introduction to the field, it is also appropriate for use by music therapy clinicians and practitioners in other helping professions who wish to learn more about how music is used with persons who have illnesses or disabilities. This book was written especially for dedicated students and professionals who believe they can make a difference in the lives of these people who have special needs.

• Sales Rank: #327697 in Books
• Brand: Brand: American Music Therapy Association
• Published on: 2008-08-31
• Original language: English
• Number of items: 1
• Dimensions: 8.90" h x 1.20" w x 7.20" l, 2.20 pounds
• Binding: Paperback
• 573 pages

Features

• Used Book in Good Condition

About the Author
CA

Most helpful customer reviews

0 of 2 people found the following review helpful.
This was the worst book that I have ever had for a 101 ...
By Caleb M.
This was the worst book that I have ever had for a 101 course due to the layout of this book (no highlighted text, etc). To be fair, my opinion is bias because of the difficulty of the Music Therapy class that I attended.

11 of 13 people found the following review helpful.
Very clear and thorough
By Priscilla Stilwell
My first (and probably only) music therapy course used this book as it's text. I am a musician, so I'm coming from that perspective. However, there is surprisingly little information on here as far as music skills. The assumption is that those skills are developed outside of this particular class.

The author gets into the specifics of a wide range of disabilities, disorders and conditions. The way the brain processed music is presented in a thorough, yet (relatively) simplistic way. It's a detailed study, and not just a bunch of fun facts, so you have to be ready to take the time to research.

The questions at the end of the chapters provided an excellent review for each class, and the book was well organized. I would certainly recommend both the book, as well as a Music Therapy class to anyone with any interest.

5 of 5 people found the following review helpful.
Excellent review
By gilmoregal24
This book is good for reviewing and studying for the music therapy exam after you've finished your program. I skimmed most of it, and passed the exam with flying colors. I would definitely recommend this book to anyone who wants to solidly prepare for the CBMT exam.

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[O624.Ebook] Ebook Doctor Zhivago, by Boris Pasternak

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Boris Pasternak’s widely acclaimed novel comes gloriously to life in a magnificent new translation by Richard Pevear and Larissa Volokhonsky, the award-winning translators of War and Peace and Anna Karenina, and to whom, The New York Review of Books declared, “the English-speaking world is indebted.”
 
First published in Italy in 1957 amid international controversy—the novel was banned in the Soviet Union until 1988, and Pasternak declined the Nobel Prize a year later under intense pressure from Soviet authorities—Doctor Zhivago is the story of the life and loves of a poet-physician during the turmoil of the Russian Revolution. Taking his family from Moscow to what he hopes will be shelter in the Ural Mountains, Zhivago finds himself instead embroiled in the battle between the Whites and the Reds. Set against this backdrop of cruelty and strife is Zhivago’s love for the tender and beautiful Lara: pursued, found, and lost again, Lara is the very embodiment of the pain and chaos of those cataclysmic times.
 
Stunningly rendered in the spirit of Pasternak’s original—resurrecting his style, rhythms, voicings, and tone—and including an introduction, textual annotations, and a translators’ note, this edition of Doctor Zhivago is destined to become the definitive English translation of our time.

• Sales Rank: #657439 in Books
• Published on: 2010-10-19
• Released on: 2010-10-19
• Format: Deckle Edge
• Original language: English
• Number of items: 1
• Dimensions: 9.55" h x 1.60" w x 6.50" l, 1.99 pounds
• Binding: Hardcover
• 544 pages

Review
"The previous English-language translation of Boris Pasternak’s Doctor Zhivago was made and brought out in England and the U.S. in extreme haste, on the eve of the 1958 Nobel Prize award to its author that triggered one of the fiercest political storms of the Cold War era. This new translation by Richard Pevear and Larissa Volokhonsky is for the first time based on the authentic original text, reflects the present, deeper level of understanding of the great masterpiece of 20th century Russian literature and conveys its whole artistic richness with all its complexities and subtleties that had escaped the attention of the earlier translators and readers.

"In faithfulness to the original, attention to stylistic details and nuances, lucidity, and brilliance it matches Pevear and Volokhonsky’s superb translations of such monumental works of the classics of Russian literature as Tolstoy’s War and Peace and Dostoevsky’s The Brothers Karamazov. The new edition will have an even more profound effect on our understanding of 20th century Russia that the first appearance of the novel had more than half a century ago."
—Lazar Fleishman, Professor of Russian Literature, Stanford University

“Richard Pevear and Larissa Volokhonsky have once again provided an outstanding translation of a major Russian novel. They capture Pasternak’s ‘voice’ with great skill. Thanks to their sensitive rendering, those reading Doctor Zhivago in English can now get a far better sense of Pasternak’s style, for they have produced an English text that conveys the nuances (along with the occasional idiosyncrasies) of Pasternak’s writing. Notably as well, their version includes some phrases and sentences that inexplicably were omitted by the original translators. The text is accompanied by useful (but not overwhelming) notes in the back that provide information about many historical and cultural references that would otherwise be obscure for those coming to the novel for the first time. Without a doubt, their version will become the standard translation of the novel for years to come.”
—Barry Scherr, Mandel Family Professor of Russian, Dartmouth College

About the Author

A poet, translator, and novelist, Boris Pasternak was born in Moscow in 1890. In 1958 he was awarded the Nobel Prize in Literature but, facing threats from Soviet authorities, refused the prize. He lived in virtual exile in an artists’ community near Moscow until his death in 1960.
 
Richard Pevear and Larissa Volokhonsky are the award-winning translators of Tolstoy’s War and Peace, among many other works of Russian literature. They are married and live in France.

Excerpt. © Reprinted by permission. All rights reserved.

Part One
 
The Five O'Clock Express
 
1
 
They walked and walked and sang "Memory Eternal,"1 and when they stopped, it seemed that the song went on being repeated by their feet, the horses, the gusts of wind.
 
Passers-by made way for the cortège, counted the wreaths, crossed themselves.  The curious joined the procession, asked:  "Who's being buried?"  "Zhivago," came the answer.  "So that's it.  Now I see."  "Not him.  Her."  "It's all the same.  God rest her soul.  A rich funeral."
 
The last minutes flashed by, numbered, irrevocable.  "The earth is the Lord's and the fullness thereof; the world, and those that dwell therein."  The priest, tracing a cross, threw a handful of earth onto Marya Nikolaevna.  They sang "With the souls of the righteous."  A terrible bustle began.  The coffin was closed, nailed shut, lowered in.  A rain of clods drummed down as four shovels hastily filled the grave.  Over it a small mound rose.  A ten-year-old boy climbed onto it. 
 
Only in the state of torpor and insensibility that usually comes at the end of a big funeral could it have seemed that the boy wanted to speak over his mother's grave.
 
He raised his head and looked around from that height at the autumn wastes and the domes of the monastery with an absent gaze.  His snub-nosed face became distorted.  His neck stretched out.  If a wolf cub had raised his head with such a movement, it would have been clear that he was about to howl.  Covering his face with his hands, the boy burst into sobs.  A cloud flying towards him began to lash his hands and face with the wet whips of a cold downpour.  A man in black, with narrow, tight-fitting, gathered sleeves, approached the grave.  This was the deceased woman's brother and the weeping boy's uncle, Nikolai Nikolaevich Vedenyapin, a priest defrocked at his own request.  He went up to the boy and led him out of the cemetery.
 
2
 
They spent the night in one of the monastery guest rooms, allotted to the uncle as an old acquaintance.  It was the eve of the Protection.2  The next day he and his uncle were to go far to the south, to one of the provincial capitals on the Volga, where Father Nikolai worked for a publisher who brought out a local progressive newspaper.  The train tickets had been bought, the luggage was tied up and standing in the cell.  From the nearby station the wind carried the plaintive whistling of engines maneuvering in the distance.
 
Towards evening it turned very cold.  The two ground-floor windows gave onto the corner of an unsightly kitchen garden surrounded by yellow acacia bushes, onto the frozen puddles of the road going past, and onto the end of the cemetery where Marya Nikolaevna had been buried that afternoon.  The kitchen garden was empty, except for a few moiré patches of cabbage, blue from the cold.  When the wind gusted, the leafless acacia bushes thrashed about as if possessed and flattened themselves to the road.
 
During the night Yura was awakened by a tapping at the window.  The dark cell was supernaturally lit up by a fluttering white light.  In just his nightshirt, Yura ran to the window and pressed his face to the cold glass.
 
Beyond the window there was no road, no cemetery, no kitchen garden.  A blizzard was raging outside, the air was smoky with snow.  One might have thought the storm noticed Yura and, knowing how frightening it was, reveled in the impression it made on him.  It whistled and howled and tried in every way possible to attract Yura's attention.  From the sky endless skeins of white cloth, turn after turn, fell on the earth, covering it in a winding sheet.   The blizzard was alone in the world, nothing rivalled it. 
 
Yura's first impulse, when he got down from the windowsill, was to get dressed and run outside to start doing something.  He was afraid now that the monastery cabbage would be buried and never dug out, now that mama would be snowed under and would be helpless to resist going still deeper and further away from him into the ground.
 
Again it ended in tears.  His uncle woke up, spoke to him of Christ and comforted him, then yawned, went to the window, and fell to thinking.  They began to dress.  It was getting light.
 
3
 
While his mother was alive, Yura did not know that his father had abandoned them long ago, had gone around various towns in Siberia and abroad, carousing and debauching, and that he had long ago squandered and thrown to the winds the millions of their fortune.  Yura was always told that he was in Petersburg or at some fair, most often the one in Irbit. 
 
But then his mother, who had always been sickly, turned out to have consumption.  She began going for treatment to the south of France or to northern Italy, where Yura twice accompanied her.  Thus, in disorder and amidst perpetual riddles, Yura spent his childhood, often in the hands of strangers, who changed all the time.  He became used to these changes, and in such eternally incoherent circumstances his father's absence did not surprise him.
 
As a little boy, he had still caught that time when the name he bore was applied to a host of different things.  There was the Zhivago factory, the Zhivago bank, the Zhivago buildings, a way of tying and pinning a necktie with a Zhivago tie-pin, and even some sweet, round-shaped cake, a sort of baba au rhum, called a Zhivago, and at one time in Moscow you could shout to a cabby:  "To Zhivago!" just like "To the devil's backyard!" and he would carry you off in his sleigh to a fairy-tale kingdom.  A quiet park surrounded you.  Crows landed on the hanging fir branches, shaking down hoarfrost.  Their cawing carried, loud as the crack of a tree limb.  From the new buildings beyond the clearing, pure-bred dogs came running across the road.  Lights were lit there.  Evening was falling. 
 
Suddenly it all flew to pieces.  They were poor.
 
4
 
In the summer of 1903, Yura and his uncle were riding in a tarantass and pair over the fields to Duplyanka, the estate of Kologrivov, the silk manufacturer and great patron of the arts, to see Ivan Ivanovich Voskoboinikov, a pedagogue and popularizer of useful knowledge.
 
It was the feast of the Kazan Mother of God,3 the thick of the wheat harvest.  Either because it was lunchtime or on account of the feast day, there was not a soul in the fields.  The sun scorched the partly reaped strips like the half-shaven napes of prisoners.  Birds circled over the fields.  Its ears drooping, the wheat drew itself up straight in the total stillness or stood in shocks far off the road, where, if you stared long enough, it acquired the look of moving figures, as if land surveyors were walking along the edge of the horizon and taking notes.
 
"And these," Nikolai Nikolaevich asked Pavel, a handyman and watchman at the publishing house, who was sitting sideways on the box, stooping and crossing his legs, as a sign that he was not a regular coachman and driving was not his calling, "are these the landowner's or the peasants'?" 
 
"Them's the master's," Pavel replied, lighting up, "and them there," having lighted up and inhaled, he jabbed with the butt of the whip handle towards the other side and said after a long pause, "them there's ours.  Gone to sleep, eh?" he scolded the horses every so often, glancing at their tails and rumps out of the corner of his eye, like an engineer watching a pressure gauge. 
 
But the horses pulled like all horses in the world; that is, the shaft horse ran with the innate directness of an artless nature, while the outrunner seemed to the uncomprehending to be an arrant idler, who only knew how to arch its neck like a swan and do a squatting dance to the jingling of the harness bells, which its own leaps set going. 
 
Nikolai Nikolaevich was bringing Voskoboinikov the proofs of his little book on the land question, which, in view of increased pressure from the censorship, the publisher had asked him to revise.
 
"Folk are acting up in the district," said Nikolai Nikolaevich.  "In the Pankovo area they cut a merchant's throat and a zemstvo man4 had his stud burned down.  What do you think of that?  What are they saying in your village?"
 
But it turned out that Pavel took an even darker view of things than the censor who was restraining Voskoboinikov's agrarian passions.
 
"What're they saying?  Folk got free and easy.  Spoiled, they say.  Can you do that with our kind?  Give our muzhiks the head, they'll crush each other, it's God's truth.  Gone to sleep, eh?"
 
This was the uncle and nephew's second trip to Duplyanka. Yura thought he remembered the way, and each time the fields spread out wide, with woods embracing them in front and behind in a narrow border, it seemed to Yura that he recognized the place where the road should turn right, and at the turn there would appear and after a moment vanish the seven-mile panorama of Kologrivovo, with the river glistening in the distance and the railroad running beyond it.  But he kept being mistaken.  Fields were succeeded by fields.  Again and again they were embraced by woods.  The succession of these open spaces was tuned to a vast scale.  You wanted to dream and think about the future.
 
Not one of the books that were later to make Nikolai Nikolaevich famous had yet been written.  But his thoughts were already defined.  He did not know how near his hour was. 
 
Soon he was to appear among the representatives of the literature of that time, university professors and philosophers of the revolution – this man who had thought over all their themes and who, apart from terminology, had nothing in common with them.  The whole crowd of them held to some sort of dogma and contented themselves with words and appearances, but Father Nikolai was a priest who had gone through Tolstoyism and revolution5 and kept going further all the time.  He thirsted for a wingedly material thought, which would trace a distinct, unhypocritical path in its movement and would change something in the world for the better, and which would be noticeable even to a child or an ignoramus, like a flash of lightning or a roll of thunder.  He thirsted for the new.
 
Yura felt good with his uncle.  He resembled his mother.  He was a free spirit, as she had been, with no prejudice against anything inhabitual.  Like her, he had an aristocratic feeling of equality with all that lived.  He understood everything at first glance, just as she had, and was able to express his thoughts in the form in which they came to him at the first moment, while they were alive and had not lost their meaning.
 
Yura was glad that his uncle was taking him to Duplyanka.  It was very beautiful there, and the picturesqueness of the place also reminded him of his mother, who had loved nature and had often taken him on walks with her.  Besides that, Yura was pleased that he would again meet Nika Dudorov, a high-school boy who lived at Voskoboinikov's and probably despised him for being two years younger, and who, when greeting him, pulled his hand down hard and bowed his head so low that the hair fell over his forehead, covering half his face.

Most helpful customer reviews

21 of 21 people found the following review helpful.
In Praise of Boris Pasternak and Doctor Zhivago
By Paul Frandano
Just a few words, on the outside chance that I might tip a potential reader or two into reading this marvelous oh-so-Russian novel of lives caught up in the Great October Revolution of 1917 and its aftermath. Either you read Big Russian Novels (primarily of the 19th century) or not. If you do, you've probably already read, or tried to read, Zhivago. If you don't, I can offer a few reasons why you might want to read this one, in the Pevear-Volokhonsky translation or the earlier, less literal (but reportedly more graceful and poetic) Hayward-Harari version. Pasternak's cast of principal characters are to a person layered, complex, deeply conceived individuals swept up in the massive surge of events, struggling to keep their heads above water while, all around them, friends, family, and nameless millions of others are drowning in the turbulence. The arc of Yuri Zhivago alone - from enthusiastic, humanistic supporter of "regime change" to mordant skeptic of divisive ideas imposed as orthodoxy-driven policy - is typical of the evolutions and surprises Pasternak has written into the novel. His characters ruminate far and wide over imputed glories and horrors of Marxism, Bolshevism, Soviet Communism, the New Economic Policy (NEP), etc., and it was for precisely these candid criticisms of Soviet ideology and practice that Pasternak's novel was condemned (although unpublished) in the USSR - despite the deStalinization still underway at the time of Zhivago's publication, first in Italy then around the world (Soviet readers couldn't legally purchase a USSR/Russian edition until 1988). Needless to say, Pasternak was obliged to decline the Nobel Prize for Literature he won in 1958, mostly for Doctor Zhivago.

For me - I spent most of my adult life as an analyst of foreign political, economic, social, and military affairs - Doctor Zhivago is particularly brilliant in its depiction of the horrors and dislocations war and civil war inflict on populations, and especially those segments with little or no recourse to "safety nets" of  any variety - personal, familial, governmental, church-, religion-, or community-based, or other. Pasternak depicts the range of human ingenuity in such circumstances, as individiuals cobble together the means of extracting brief moments of small pleasure from the tractor-pull of events. But through an accumulation of hundreds of small details, often in asides and parenthetic observations, Pasternak conveys the epochal common misfortunes and hardships of those whose accident of history made them Russians born around and after 1900. The novel compels us to consider that, at some point in the 20th century, such horrors of remorseless privation, despotism, and brutal inhumanity were visited upon the majority of humanity - the Europe of the World  Wars, China for most of the century, and on and on - and how  fortunate those spared such travails (and their descendents) are.

Throughout, Pasternak's characters comment on the flow of events, the political struggles, the conduct of, first, the World War and later the Civil War, the states-of-play at various key junctures, the putative winners and losers, the impositions of what must seem arbitrary policy (and then policy reversals), all in the name of advancing to some  formless Communist Utopia but, to the  cynically incisive observations of Zhivago and other perceptive observers, simply a Soviet variation of high-stakes politics of power-seeking  individuals. THIS is how depotism and deprivation of freedom looks, and it's an experience alien to most American readers and one worthy of serious contemplation. Zhivago is filled with long, philosophical digressions that in general weigh humanism and spirituality against ideological politics; many found these passages tedious and a drag on the narrative. Suffice to say, I did not. Moreover, I found even Pevear-Volokhonsky's more literal translation filled with beautifully poetic moments, as were the translations of "Yuri Zhivago's poetry" that forms an appendix to the novel.

In short, I found Doctor Zhivago a transporting literary experience and a profound reflection on Soviet Communism. And a book I will reread, soon, in the Hayward-Harari translation.

8 of 8 people found the following review helpful.
The novel itself is great though and the prose translation quite good
By readerwalker (flickr name)
This unidentifed translation of Doctor Zhivago with a cover picture from the American movie version has numerous format errors and some typos and does NOT include any of the poems. So the translation is incomplete. The novel itself is great though and the prose translation quite good, but don't bother with this bogus looking Amazon version.

1 of 1 people found the following review helpful.
Masterpiece
By Ronnie Tyler
I just finished Boris Pasternak’s novel, “Doctor Zhivago,” and I’m a bit wrecked. I had to lie down after finishing. This was a re-reading after too many years. It is one of my all-time favorites, so highest recommendation! I’d forgotten how excellent it is. I always enjoy a good nexus, and here the nexus is my love of history, especially the end of the Romanov Dynasty, Russian Revolution of 1917, and gorgeous writing. This translation is from 2014 and it is wonderful. Yes, the movie is sublime, but the book is even better. I want to run away to Siberia now. Forward my mail to Varykino.

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