[T905.Ebook] Download PDF Suicide Squad: The Official Movie Novelization, by Marv Wolfman

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Assemble a team of the world’s most dangerous imprisoned super criminals, provide them the most powerful arsenal at the government’s disposal, and send them to defeat an enigmatic, unstoppable enemy.

U.S. intelligence officer Amanda Waller has gathered a group of disparate, despicable individuals with next to nothing to lose. Once they figure out they were chosen to fail, will the Suicide Squad resolve to die beating the odds, or decide it’s every man for himself?

• Sales Rank: #197901 in Books
• Brand: Titan Books UK
• Published on: 2016-08-09
• Released on: 2016-08-09
• Original language: English
• Number of items: 1
• Dimensions: 7.00" h x 1.00" w x 4.20" l, .37 pounds
• Binding: Mass Market Paperback
• 320 pages

Features

• Titan Books UK

Review
“Get more of that which you crave by reading this novelization written by a master storyteller and comics legend.” -�Geeks of Doom

“Harley’s charming psychosis in particular steals the show” -�VG Blogger

“Better than the movie” -��Movie Pilot

About the Author
Marv Wolfman�is one of the most acclaimed writers in the comic book industry, having written�Crisis on Infinite Earths,�The New Teen Titans,�Batman,�The Amazing Spider-Man, and�Tomb of Dracula. His script work for the�Epic Mickey 2videogame was nominated by the Writers Guild of America for "Outstanding Achievement in Videogame Writing". His novelization of�Superman Returns�won the Scribe Award for "Best Adapted Novel," and he wrote the official novelizations for�Batman: Arkham Knightand�Crisis on Infinite Earths.

Most helpful customer reviews

12 of 12 people found the following review helpful.
Enjoyed the book and the movie!
By CoachD
This novel provides plenty of background information to the movie. We get a deeper look into each character and to the situation at hand. A few years ago I exchanged some e-mails with David Morrel, author of First Blood. I wrote to him that I would liked to have read a novelization of Rambo (4th film). He said fans were not interested in novelizations anymore due to the rapid turn around time from when a movie opens to the time the Blu-ray is available. I disagree. If I like a movie I would love to read a novelization of it. Same here. Lots of additional thoughts are there for us readers. Plus it is written by Marvin Wolfman, always a Plus to me.

10 of 10 people found the following review helpful.
A must read if only once then pass on
By Kindle Customer
The best movie tie in book ever ! a must read if you were miffed at the movie. Expands the movie( loved it by the way) adds depth to all the characters they didn't have time for in the restricted movie length. Also has most of the joker/harley scenes that D.C., had the director cut out to keep the PG 13 rating. Yes the pair will be getting their own rated R movie , but it was nice to see read if not see a joker/ Harley me in tune with comics.

3 of 3 people found the following review helpful.
The good, the bad, and the in-between
By Anise
As we all know, the Suicide Squad film had some serious issues. And going by what was onscreen alone, there was really no way to figure out how much of this had to do with studio interference, and how much was intrinsic to factors such as the script being written in six weeks (!) Does the novelization clear up the question one way or the other? Well... yes and no. Spoilers ahead...

The Good: The characterizations are, for the most part, much more in depth. Their interactions are more believable. The narrative is clearly from the hard-R script that David Ayer almost certainly originally came up with, so it feels more authentic. The book begins with Dr. June Moone finding the Enchantress statue in a cave, which would make so much more sense as an opening scene. It's ridiculous to have June Moone/Enchantress as such a central part of the plot onscreen when she's essentially suddenly stuck in halfway through with no buildup. The Joker/Harley relationship is portrayed so much more realistically-- this is basically where they were back in the day, before Harley struck out on her own. If she's going to grow as a character, which she certainly did in the graphic novels, then she has to start here. It was much more offensive (IMHO) to see the abusive nature of the early relationship played down on film, because then we don't see what she eventually rejects (especially in her new series.) Overall, there's just so much more depth. BUT...

The Bad:
The book DOES NOT contain everything that was in the original script, or everything that was filmed. After the extended edition of the film came out, it's especially easy to see that a lot was still missing in the book. There are many scenes both in the extended edition and also glimpsed in the trailers that don't show up in the book at all. Yes, I know, other reviewers are saying that it's all there, but it isn't. Just go through all the added extended scenes in the movie-- a lot of that is not in the book, including the scene where Harley chases Joker on the motorcycle and then confronts him. Count up all the material that was teased in the trailer-- mostly not in the book. For instance, we still don't really see the "I can't wait to show you my toys" scene-- it's *kind of* hinted at in the book... maybe? But not actually there. We don't see the deleted scenes that were written about in that Reddit article, and while there's no way to know for sure if any of that was ever actually shot or even in the shooting script... potential readers should know not to expect any of that when they buy the book. Basically, there's extra material in the book for sure. But there's still a lot, a LOT of stuff that either certainly or probably existed in the original movie and then got cut out... and it's not here either. So we still don't know what was really in the original version of the narrative.

Just as in the movie, a lot of the narrative sags and drags about 2/3 of the way through for a looooong time.
It still does not seem believable at all that this group of ragtag killer misfits suddenly bonds and becomes one big happy family.
It isn't any easier to believe that they suddenly became besties with Flag, or didn't just shoot him and run away when he disabled the neck bombs.
The Enchantress is still a basically silly villain, although she at least makes more sense in the novelization. I suspect-- and I think you will too-- that her role was cut down on film because Cara Delevinge is a terrible, horrible, no-good, very bad actress. But even if she'd had the onscreen charisma of Margot Robbie, the character would still feel unconnected to everything else in the story-- and in the book, she does too.

In a lot of ways, the book does illustrate the issues with the movie, both good and bad. I think that through reading it, you do see that the film could have been much better... but you also understand that it had fundamental problems from the start. Overall, this is more than worth reading, and the author is certainly great. So if you're interested in getting a much more in-depth feel for what the director wanted Suicide Squad to be... I would recommend the book.

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[E820.Ebook] Ebook Hermann Hesse: A Biography (Author of Siddhartha and Steppenwolf), by Coral Saloman (Herman Hesse Biographer)

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ABOUT THE BOOK

Since the publication of Peter Camenzind in 1904 Hermann Hesse has been loved and hated by his own people, ignored and worshipped by the English speaking world, accused of being a Nazi sympathizer, and blacklisted by almost every newspaper in Hitler's Germany.

He accomplished all of this simply by writing some of the most honest and introspective fiction in modern literature, and by allowing the entire literate world to act as spectator to his own tumultuous internal journey. From Siddhartha to Steppenwolf, his characters faced the most complex questions of life, coming from different places and times, different backgrounds and ambitions, but all of them represented Hesse, and all of them wrestled with questions of self and soul that haunted their author throughout his life.

Hesse was a prolific author, publishing seventeen novels as well as several poems and essays, and, though mostly fiction, his works tended to follow the path of his own life, and his protagonists wrestle with the same problems he faced. He was constantly battling with the conflict of the mind and the body, the spiritual world and the sensual one.

During his life he struggled with questions of nationalism and pacifism, living through two world wars that nearly destroyed his native country. He desperately craved social acceptance, but found himself to be awkward, a natural loner, and wondered if the role of the artist was inevitably to be an outsider; an observer, but not a participant in life.

These questions and more are mirrored in his fiction, as he uses his characters to live out the different paths available to him, and the readers are reminded of similar dualities in their own lives. His novels tend to feature pairs of characters, one representing the ideal he wishes he could achieve, and one the less romantic reality he knows he must accept.

MEET THE AUTHOR

Coral Saloman is an experienced writer and a member of the Hyperink Team, which works hard to bring you high-quality, engaging, fun content. Happy reading!

EXCERPT FROM THE BOOK

Though his books were set in a wide range of places and times, and though their characters differed drastically in many ways, some themes reappear throughout his works, and these repeating patterns give the reader a great deal of insight into the mind of Hermann Hesse. One of his earliest novels, Demian, focused on the Neitzschian concept of the Apollonian versus the Dionysian spirit. This is a conflict between the passionate and the structured drives that occur within all people, and it is a conflict with which Hesse wrestled his entire life.

Another important idea within Demian is the concept of right and wrong. Hesse once wrote in a letter to his parents that "the morality of artists is replaced by aesthetics," and in the novel Sinclair expresses an appreciation for music because it is amoral, or outside of good and evil. According to Nietzsche, morality is a construct that arises solely from society and only by shaking off the chains of that construct and exerting their will can anyone truly be who they are.

This idea of finding oneself, of searching for the deepest, most honest parts of one's own nature is another concept that Hesse struggled with, and another that appears in all of his books. Hesse came from a family that saw the innate nature of mankind as savage and somehow unclean, and who believed that religion was the means required to control that nature. The author himself, however, felt a deep connection to the natural world, and failed to see the intrinsic evil in his natural desires. In Narcissus and Goldmund...

...buy the book to keep reading!!

• Sales Rank: #1046578 in eBooks
• Published on: 2012-05-15
• Released on: 2012-05-15
• Format: Kindle eBook

Most helpful customer reviews

4 of 4 people found the following review helpful.
Not a full bio--more like a Wikipedia article. But well-written
By Joanna Daneman
While this "bio" is well-written and well-arranged, it is not truly a biography, at least as I think of biographies. This is a very short 23 page article, much as you'd find in Wikipedia, which you can go read for free online. (I send Wikipedia an annual donation, but that's voluntary. You don't have to, though I do think they deserve to be paid for their good work.)

To read this Kindle book, you have to pay, although the price is not terribly high, as Kindle books go. But, this "bio" is too short and not a good value despite the excellent writing. It's just a short overview of the life of this extraordinary German writer.

The best part of this bio was the detail on how Hesse began writing and how his extreme introversion fed his intense and poetic abilities. But there just wasn't enough to call this a biography.

Hesse is still one of my favorite German authors and I did my senior German lit thesis on his works (I minored in German in college.) I re-read books such as "Narcissus and Goldmund" and "The Glass Bead Game" frequently and I always find reasons to admire Hesse's prose and poetry. I only wish this biography could have been a fully realized work, as it is a great beginning. But since it's really a short article, I cannot recommend it except for the one section that I did enjoy.

A better title would be "A Short Overview of the Life and Writing of Hermann Hesse."

1 of 1 people found the following review helpful.
Brevity and wit ...
By C. H. Walters
This document is a very brief and succinct overview about the Nobel Prize winning German author Hermann Hesse. It gives the researcher a basic structure, but a more complete biography will give more detail about his works and period.

0 of 0 people found the following review helpful.
Excellent biography
By Jacob Z. Campbell
Another look at the life of Hermann Hesse catfishes unique sensitivity, his immense intuitiveness, and has great appeal to the modern Idealist. He was a man who was torn between the pleasures of the flesh and the ecstasies of spiritual bliss – he fought with these two offices and they establish themselves as the things throughout his writings and this biographer covers that well.

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[M547.Ebook] Ebook Download William Shakespeare, by Terry Eagleton

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This is a bold and original reinterpretation of almost all of Shakespeare's major plays, in the light of the Marxist, feminist and semiotic ideas of our own time. Through a set of tenaciously detailed readings, the book illuminates a number of persistent problems or conflicts in Shakespearean drama - in particular a contradiction between words and things, body and language, which is also explored in terms of law, sexuality and Nature.

Language and desire, Terry Eagleton argues, are seen by Shakespeare as a kind of 'surplus' over and above the body, stable and social roles and a fixed human nature. But the attitude of the plays to such a 'surplus' is profoundly ambivalent; if they admire it as the very source of human creativity, they also fear its anarchic, trangressive force. Underlying such ambiguities, the book convincingly shows, is a deeper ideological struggle, between feudalist traditionalism on the one hand, and the emergence of new forms of bourgeois individualism on the other. This book revels how, in the light of our own contemporary theories of language, sexuality and society, we can understand the issues present in Shakespeare's drama which previously have remained obscure.

• Sales Rank: #1944185 in Books
• Brand: Brand: Wiley-Blackwell
• Published on: 1991-01-08
• Original language: English
• Number of items: 1
• Dimensions: 8.52" h x .38" w x 5.53" l, .39 pounds
• Binding: Paperback
• 128 pages

Features

• Used Book in Good Condition

Review
"Brilliant little book ... dazzling and exhilarating ... Eagleton is alive to the excitement and originality of a great playwright." Sunday Times

"When you read this book you feel Eagleton's pleasure in reading Shakespeare's works. He deals with the plays in chapters which cut across the well-used categories and an excitement is created by the unexpectedness of the directions which he takes." Marxism Today

"Always provocative, Mr. Eagleton does in print what directors regularly do on stage: change the century, stitch up new costumes, but preserve the story line and language." Herbert Mitgang, The New York Times

From the Back Cover
This is a bold and original reinterpretation of almost all of Shakespeare's major plays, in the light of the Marxist, feminist and semiotic ideas of our own time. Through a set of tenaciously detailed readings, the book illuminates a number of persistent problems or conflicts in Shakespearean drama - in particular a contradiction between words and things, body and language, which is also explored in terms of law, sexuality and Nature.

About the Author
Terry Eagleton is Professor of Cultural Theory and John Rylands Fellow at the University of Manchester. His works include The Ideology of the Aesthetic (1990), Literacy Theory: An Introduction (1983), Walter Benjamin (1981) and Marxism and Literacy Criticism (1976).

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A new series of prose novels, straight from the worldwide Naruto franchise. Naruto’s allies and enemies take center stage in these fast-paced adventures, which each volume focusing on a particular clanmate, ally, team...or villain.

A year has passed since the Fourth Great Ninja War, and Kakashi’s appointment as Hokage looms. But first he heads to the Land of Waves for a dangerous mission rescuing hostages from a top-secret airship. There he confronts a ninja whose heart is frozen by tragedy.

Having lost both his friend’s eye and his greatest abilities, can Kakashi protect anyone from his coldhearted foe? What is the true meaning of the Will of Fire gained in the distant heavens? Kakashi finds these answers and more as he enters a new ninja era.

• Sales Rank: #19714 in Books
• Published on: 2015-11-03
• Released on: 2015-11-03
• Original language: English
• Number of items: 1
• Dimensions: 7.50" h x .60" w x 5.00" l, .0 pounds
• Binding: Paperback
• 160 pages

Most helpful customer reviews

23 of 24 people found the following review helpful.
"Spring had indeed arrived."
By John Zamora
Let me start off by saying that I have been a fan of Naruto for the past eleven years; from the time I first witnessed it in the English Dub, to long after the end of the Fourth Great Ninja War. Having seen all of the latest films and kept up with anything that related to the story, I'd say I have a pretty firm understanding of the Naruto universe. With that being said, it should come as no surprise to the reader that I was waiting ever so patiently for this translation to be made available, so that I could learn more about Kakashi and what led to his decision to become the Hokage.

I do not wish to give too much away for anyone that has yet to read the story, but I will say that anyone that's read the manga will enjoy this book. The action and sequencing is fast-paced, and the dialogue is exactly what you'd expect from a Naruto book: at times, witty and comedic, but then melancholy and a touch melodramatic, but in a very good way. The author does a phenomenal job of making the reader feel like they're actually there with Kakashi, spreading chakra throughout his or her body, narrowly avoiding danger right alongside the Sixth Hokage. If only for the story, this book is a perfect ten out of ten if you are a Naruto fan.

I did, however, have one major concern with this book, and that was the translator's knowledge of the Naruto universe. Jocelyne Allen did a pretty good job of translating the book as a whole, but if a person has a full understanding of a language, translating a text to their native tongue should be a pretty straightforward task, so it's hard to get something wrong there. However, as a longtime fan of Naruto, I noticed a few things that were off, and because I am such a devoted fan, I was bothered every time I noticed them. Some Jutsu names were off, primarily Shikamaru's Shadow Strangle Jutsu (in the novel, "Suffocating Darkness"), and Choji's Human Boulder ("Human Juggernaut", seriously?). Ten-Ten was also, in the one line where she is referred to using a gender-specific pronoun, wrongfully identified as a " he." I myself had a profound issue with the translator constantly putting a character's last name before their first name, and while I understand that in Japanese the last name goes first, if a book is being written or translated into English, I would prefer it if somethings were kept right. Had the book been written out as though it were an episode from the English-Dubbed version of the show, I would have been much more pleased. There are still more errors within the text, but I do not wish to make the book seem bad. If the reader is as much a fan as I am, they might feel slightly bothered by the problems, but still, I cannot stress the importance of remembering that any errors a reader encounters should not be blamed on the book as whole, but rather the translator, who aside from the aforementioned mistakes, does a brilliant job bringing this story to life in the English language. If it weren't for the errors, this book would have a perfect five out of five from me.

Overall, if the reader is a fan of the series and longs to find out what happened in the blank period between chapters 699 and 700, then they should definitely check out this book and the rest of the novels that will be released shortly in English. This is one experience no Naruto fan worth his salt should miss out on.

10 of 10 people found the following review helpful.
Good read for the dedicated fan
By Michael V
I didn't read the description thoroughly enough and thought this would be a Manga, only to be surprised to find it is a novel. The fact that this is a novel allows the reader to see more into the mind and point of view of Kakashi. While it does have some elements of a fan-fiction or a filler episode, I still enjoyed the story, mainly just hearing Kakashi's thoughts during a stressful mission. The villains are pretty typical, as to be expected. This is mainly a good read for the bigger fans who just enjoy the overall world of Naruto like myself.

0 of 0 people found the following review helpful.
I really enjoyed the book for what it is
By Robert
I really enjoyed the book for what it is. Kakashi is one of my favorite characters so reading a book about what happened to him before he became the 6th Hogake was very enjoyable. I have no complaints about the actual story but some wording errors were slightly annoying. It doesn't distract too much from the book so I still recommend it.

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[W257.Ebook] PDF Ebook First Steps in Academic Writing (The Longman Academic Writing Series, Level 2) (2nd Edition), by Ann Hogue

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The second edition of First Steps in Academic Writing , by Ann Hogue,�provides high-beginning to low-intermediate students with essential tools to master basic academic writing. The text's time-proven approach integrates paragraph organization, sentence structure, grammar, mechanics, and the writing process. First Steps leads students to build strong academic writing skills that will last them throughout their writing careers.

�

Features:

• A step-by-step approach guides students seamlessly through the writing process.
• Clear, succinct explanations help students to understand and apply key conepts and rules.
• Numerous models and varied practice support students at all stages of writing.
• NEW Try It Out! exercises give students opportunities to assess mastery of new skills.�
• NEW journal writing activities help students build literacy.
• NEW self-editing and peer editing worksheets motivate students to revise.

The Longman Academic Writing Series also consists of:

• Level 1 Fundamentals of Academic Writing
• Level 3 Introduction to Academic Writing, Third Edition
• Level 4 Writing Academic English, Fourth Edition�

• Sales Rank: #319121 in Books
• Brand: Hogue, Ann
• Published on: 2007-08-30
• Original language: English
• Number of items: 1
• Dimensions: 10.70" h x .40" w x 8.20" l, .93 pounds
• Binding: Paperback
• 229 pages

From the Back Cover

The second edition of First Steps in Academic Writing , by Ann Hogue,�provides high-beginning to low-intermediate students with essential tools to master basic academic writing. The text's time-proven approach integrates paragraph organization, sentence structure, grammar, mechanics, and the writing process. First Steps leads students to build strong academic writing skills that will last them throughout their writing careers.

�

Features:

• A step-by-step approach guides students seamlessly through the writing process.
• Clear, succinct explanations help students to understand and apply key conepts and rules.
• Numerous models and varied practice support students at all stages of writing.
• NEW Try It Out! exercises give students opportunities to assess mastery of new skills.�
• NEW journal writing activities help students build literacy.
• NEW self-editing and peer editing worksheets motivate students to revise.

The Longman Academic Writing Series also consists of:

• Level 1 Fundamentals of Academic Writing
• Level 3 Introduction to Academic Writing, Third Edition
• Level 4 Writing Academic English, Fourth Edition�

Most helpful customer reviews

2 of 2 people found the following review helpful.
I highly recommend this book
By Julie Peterson
I use this text for my intermediate ESL writing class at a local community college. The focus of the course is to learn paragraph writing. This book doe s a thorough job of introducing steps to writing 6 types of stand-alone paragraphs, and it also includes sentence structure, grammar and punctuation rules. Many of the problems that students encounter when learning academic writing are addressed with explanations and exercises. I highly recommend this book.

0 of 0 people found the following review helpful.
Five Stars
By bluescubasmurf
Good Academic Material.

0 of 0 people found the following review helpful.
Five Stars
By Jennifer
This book is good.

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[U793.Ebook] Fee Download Derivatives Essentials: An Introduction to Forwards, Futures, Options and Swaps (Wiley Finance), by Aron Gottesman

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A clear, practical guide to working effectively with derivative securities products

Derivatives Essentials is an accessible, yet detailed guide to derivative securities. With an emphasis on mechanisms over formulas, this book promotes a greater understanding of the topic in a straightforward manner, using plain-English explanations. Mathematics are included, but the focus is on comprehension and the issues that matter most to practitioners—including the rights and obligations, terms and conventions, opportunities and exposures, trading, motivation, sensitivities, pricing, and valuation of each product. Coverage includes forwards, futures, options, swaps, and related products and trading strategies, with practical examples that demonstrate each concept in action. The companion website provides Excel files that illustrate pricing, valuation, sensitivities, and strategies discussed in the book, and practice and assessment questions for each chapter allow you to reinforce your learning and gauge the depth of your understanding.

Derivative securities are a complex topic with many "moving parts," but practitioners must possess a full working knowledge of these products to use them effectively. This book promotes a truly internalized understanding rather than rote memorization or strict quantitation, with clear explanations and true-to-life examples.

• Understand the concepts behind derivative securities
• Delve into the nature, pricing, and offset of sensitivities
• Learn how different products are priced and valued
• Examine trading strategies and practical examples for each product

Pricing and valuation is important, but understanding the fundamental nature of each product is critical—it gives you the power to wield them more effectively, and exploit their natural behaviors to achieve both short- and long-term market goals. Derivatives Essentials provides the clarity and practical perspective you need to master the effective use of derivative securities products.

• Sales Rank: #1185025 in Books
• Published on: 2016-07-12
• Original language: English
• Number of items: 1
• Dimensions: 9.30" h x 1.10" w x 6.30" l, .0 pounds
• Binding: Hardcover
• 352 pages

From the Inside Flap

Today's derivative securities are complex and made up of many moving parts, and in order to remain effective, practitioners must have a complete working knowledge of these products. This masterfully written book presents meaningful, in-depth coverage of derivative securities products and strategies that go beyond broad descriptions. Derivatives Essentials gets you up close to the ins and outs of several key products and strategies and the reasons behind investing in them.

No other resource provides so much preparation from one of the leading minds on the subject. Through straightforward explanations brought to life with examples of how concepts actually play out in the real world, you gain a versatile mastery of conceptual and quantitative insights. Not only will you accurately use quantitative pricing and valuation models, but you will know why the models represent price and value. You will quickly be able to discuss the importance of the sensitivity measures known as the Greeks and put them to use to analyze and characterize products and strategies. You will effectively form numerous trading strategies with an expert's confidence of knowing why you did it. Keep this everyday resource at your fingertips to:

• Effectively put into practice protective, yield-enhancing, spread, and price and volatility trading strategies, as well as create synthetic positions
• Round out your essential skillset with ad- vanced concepts related to moneyness, the option exercise decision, put-call parity, pricing and valuation, implied volatility, and the Greeks
• Navigate the nuances of interest rate swaps, credit default swaps, cross-currency swaps, and other swaps, including swap concepts and conventions and how to transform cash flows using swaps

Sophisticated skills are not needed in statistics, finance, or math for this completely accessible resource to enable you to communicate your understanding of derivative securities in both concepts and equations. Derivatives Essentials gives practitioners the convenient balance of conceptual explanations, quantitative detail, and practical examples they need to get the most out of these products and strategies.

From the Back Cover

Praise for Derivatives Essentials

"Derivatives have become critically important hedging and trading vehicles in the financial services marketplace, and understanding these complex instruments and markets is thus of paramount importance for industry professionals. Aron's book provides robust and fulsome coverage of derivatives. Most importantly, the book provides well balanced viewpoints and insights—first, balanced between the academic ('theoretical') and practitioner ('real-world') perspectives, and second, balanced between qualitative concepts (the 'why') and quantitative formulas (the 'numbers'). Possessing such a well-balanced understanding of derivatives is a critical skill set for industry professionals, and I thus recommend this book."
—Robert J. Chersi, retired CFO, Fidelity Investments - Financial Services and UBS Wealth Management

"In the thirty years I've worked in risk management on Wall Street, Derivatives Essentials is by far the most comprehensive and understandable book I've read about the complex world of derivative products and strategies. Anyone who needs to understand and communicate about topics such as derivative pricing, valuation and risk sensitivities or 'Greeks,' should have Derivatives Essentials within reach on their book shelf!"
—Michael Leibrock, Managing Director - Credit and Systemic Risk, The Depository Trust and Clearing Corporation

"Derivatives Essentials is a comprehensive guide that covers all of the important topics on derivative securities. As an experienced educator, Dr. Gottesman has the ability to simplify many complex concepts for students, but this text also provides experienced practitioners with a deeper understanding of the same concepts as well. This is a must-have text and desk-reference for students and practitioners alike!"
—Christopher Lo, Senior Portfolio Manager, Columbia Threadneedle Investments

About the Author

ARON GOTTESMAN is professor of finance and the chair of the department of finance and economics at the Lubin School of Business at Pace University. He teaches courses on derivative securities, financial markets, and asset management, and presents corporate workshops on derivative securities to bulge bracket financial institutions.

Most helpful customer reviews

0 of 0 people found the following review helpful.
A good, understandable introductory text
By Augustus Octavius
This book is an excellent primer on options. The author gives a succinct and clear approach to the various derivatives without getting lost in esoteric mathematical derivations. I also appreciated the coverage of the concepts relating to options prior to discussion of the mathematics.The book covers the important concepts including the greeks, pricing and valuation and swaps. Overall I think this is one of the best introductory derivatives books out there when it comes to readability.

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[Q144.Ebook] Ebook Free The American Film Musical, by Charles (Rick) F. Altman

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"... a model of genre criticism and probably the best overall analysis of the film musical to date."
Journal of Popular Films and Television

"The American Film Musical is a truly admirable book which is well worth making a song and dance about. It will immediately assume biblical authority for all who are seriously interested in the dream-factory's most lavish fantasies, and it may even come to stand as a landmark in our understanding of Hollywood as a whole.... Altman's book is thorough, well informed and warmly good-humored. It has brought the study of musical films out of the dark ages." Times Literary Supplement

"... an important addition to both literature and film collections.... a landmark study."
Library Journal

"Altman's important study of the American film musical combines genre theory with film criticism and history.... Recommended... " Choice

The American Film Musical is at once the most advanced statement on genre theory and the most complete treatment of the American musical. Altman’s unique interweaving of theory, history, and criticism represents an original and challenging contribution to film studies. Illustrated with over 200 frame enlargements and production stills.

• Sales Rank: #874471 in Books
• Published on: 1988-02-22
• Released on: 1988-02-22
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 1.03" w x 8.00" l, 2.09 pounds
• Binding: Paperback
• 400 pages

Review
"The American Film Musical is a truly admirable book which is well worth making a song and dance about. It will immediately assume biblical authority for all who are seriously interested in the dream-factory's most lavish fantasies, and it may even come to stand as a landmark in our understanding of Hollywood as a whole. . . . Altman's book is thorough, well informed and warmly good-humored. It has brought the study of musical films out of the dark ages. . . ."

-- Times Literary Supplement

""The American Film Musical is a truly admirable book which is well worth making a song and dance about. It will immediately assume biblical authority for all who are seriously interested in the dream-factory's most lavish fantasies, and it may even come to stand as a landmark in our understanding of Hollywood as a whole. . . . Altman's book is thorough, well informed and warmly good-humored. It has brought the study of musical films out of the dark ages. . . .""

-- Times Literary Supplement

Most helpful customer reviews

8 of 8 people found the following review helpful.
scholarly masterpiece
By A Customer
This book may not be what the average fan of film musicals is after, but there are plenty of picture books and reference works on the musical for such readers. This is the most significant and wide-ranging study of the musical as a narrative and cinematic form anyone has yet attempted. No other serious work on the musical comes close, and despite another reviewer's complaint about academic writing, Altman's prose is in fact clear and witty -- which is not to say that he doesn't work through some sophisticated ideas: indeed, half of the book is a consideration of the notion of genre itself, with the musical the specific example for the book's deeper investigation. But for all the "serious" thought and research that went into this work, one always senses Altman's enthusiasm about the musical. Academic writing gets a bad rap: this is what academic writing is supposed to do -- explore, expand, and force the reader to grapple with, rather than just accept, ideas.

0 of 0 people found the following review helpful.
Brings the study of the musical to another level
By Catherine G. Hamilton
Finally, I found in "The American Film Musical" a critic who takes this genre seriously and has worked to understand its intricate and complex layers and patterns. Altman divides his study into three "subgenres" - the fairy tale musical, the show musical, and the folk musical - and demonstrates how most every example of the genre falls into one of these categories to some extent.

As well as being devoted to the musical, Altman also provides a method for genre study in general, which some readers will want to skim or even skip if their only interest is research on the musical. However, to truly understand the workings of the genre it is beneficial to read the whole book, because the musical is surely one of the most complex art forms ever, and Altman does so much to break into the problems that many critics have ignored that it's worth being enlightened as to his process.

The book makes you reconsider all the presuppositions you may have about the film musical and what constitutes a musical. The patterns and workings he reveals, particularly with regard to the dual-focus narrative, are fascinating: instead of just the old "how many songs?" question, Altman uses the criteria of "coupling" to form his theory of what constitues a musical.

A definite YES for anyone searching through the dark for a more modern study of the genre.

0 of 0 people found the following review helpful.
Seminal Text on the Classical Hollywood Musical
By Titania Plant
I love Altman's categorization of the genre: the show musical, the folk musical, and the fairytale musical. I've cited this text in almost every major research paper I've written in the last two years. Not too verbose, very clear, and a very interesting year. I also love the chart at the back which breaks down all of the Hollywood musicals up until the book's publishing date into these categories.

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